« the curse of threes | Main | Through Deaf Eyes »

January 14, 2007

“How much time do we have?”

This sentiment haunts The Jacket, a film about consciousness. Although no plausible physical mechanism is provided for time travel, we witness the lead character adapt proactively to the most improbable scenario: discovering himself in a future timespace in which he has already died. Instead of engaging a futile struggle to avoid what has been foreordained, Jack uses the forays into the future to identify, strategize, and act to change elements in his present that influence the unfolding of time for others. The physical fact of his own death cannot be undetermined, but the trajectories of others’ lives might be shifted just enough to lead to (at least potentially) more satisfactory, less painful unfoldings.

“I know the difference between reality and delusion,” Jack asserts. “I’m not delusional, the real events that have happened to me are crazy.” ("Quote" based on memory.)

The craziness of real events is a theme in the other film I saw last week, Children of Men. Although it seems too far-fetched to be believed that all women might become infertile more-or-less simultaneously, that “reality” serves as the backdrop for the dissolution of society in the face of events too dramatic (apparently) to be managed on the human scale. While viewing the movie, which depicts an escalation of immigrant-baiting and an intensifying police state in England, I kept thinking about institutional and interactional fallout from global warming. Given the existing gaps among socioeconomic classes – globally (between countries and regions) as well as internal to national populations – the spread of anomie seems quite likely. Such chaos can conceivably be countered by cumulative acts of individual and collective consciousness such as that demonstrated by Jack as he moves between wearing and not wearing the jacket, back-and-forth in timespace, discovering a way to maintain the continuity of his be-ing.

The combined image of possibility presented by juxtaposing the two movies reminds me of Shemaya, who recently gave me her take on global warming. “It’s dramatic change,” she said, “just like disability. You’re going along, having your life, and suddenly things change drastically.” Dramatic change requires adaptation and issues of survival. I agree with the parallel of the microsocial experience of disability with the macrosocial event of weather-disrupted institutional systems; the distinction of scale seems relevant. The challenges that confront the newly disabled to retain, maintain, and reconstruct a social world fit to live in are magnified by the scale of cooperation required to shift major global societal flows.

Posted by Steph at January 14, 2007 11:37 AM

Comments

Post a comment yipee




Remember Me?