the Aristocrats

I did see this … wow. Grotesque, yes. A bit weird too. (Does such an opinion expose a puritanical streak?) I did laugh, although moreso revisiting it afterwards with my good pals than during. ­čÖé DEFINITELY “boundary-crossing” stuff, which George Carlin articulates well. Fascinating look inside comedy as an institution, too. Anyone for a socioeconomic class interpretation? Or are we talking basic social unredeemability – sheer outrageous excess? I always want there to be a message. ­čśë
What’s the moral element in such totally and intentionally amoral performances?

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