Dialogue: Identities
Whiteness (Race), Gender, Culture…

Ten high school students in the circle.
(Another observing from outside).
Their regular teacher.
Three facilitators from UMass.

“I wanna have a cool name like that!”

“I hated the first day of school. For days, they couldn’t figure out how to say my name.”

“I like my name. It’s different.”

“[My full name] and I don’t get along. I use [a nickname]; it’s short and sweet.”

“I want an extra letter!”

“A vowel on the end makes it girlie.”

“I like writing my name.”

“[With my first and middle name], I have the same meaning twice.”

“My name is mispronounced often and people don’t accept correction.”

“My dad liked Slavic names. I like my name.”

“I wasn’t named by my mom or dad… I’m known as [a nickname].”

“It’s weird to think the people in [that city I'm named after] are my relatives.”

“I literally became a different person when I came to the U.S. because people couldn’t say my name.”

“I don’t like how I got my name.”

“People see my name and think something; then they meet me and I don’t look like what they expect.”

It’s about the structure

Talking about our names brought up a lot of feelings. Some experiences have been good, others not so much.  ”Should names follow the stereotypes?” Most in the group said no or shook their head. “Would you throw [that kind of] a curve ball to your kid?” Hmm.  What values are involved in this kind of decision? What does your name have to do with who you are? What does your name have to do with who other people think you are?

The diversity of names in this small group led us to ethnic and racial differences. The facilitators were curious how much these differences lead to cliques in school. For these young people, hanging out with people of similar appearance is something that happened up until about 9th grade, and they think most of that was because of location. Who they went to school with before was who they hung out with, at least until they got to know each other.

It is a deeper question to wonder if the clustering of certain groups in particular areas is simply coincidence.  Where did you go to elementary school? What section? Which house?  Were you in 16 Acres?  There was a hint of class difference…. and some groups seem to get swallowed up by others…. Dominicans, for instance, get lumped in with Puerto Ricans.  Relations within families are complicated too. “I’ve spent more time with white people, so I get along with my relatives who live in the North more than the ones in the South.”  And this quick exchange: “I’m the darkest one in my family.” “You’re not even dark!” “I know!” Some students aren’t sure “what” they are. “I’m confused. I’m a bunch of stuff.”

One young man was fifteen when a friend pointed to a photograph in his home and asked, “Who’s that white lady?” “Uh…” he sortof stammered, “Grandma?” raising his voice as if in doubt. What was obvious is how deeply he is connected to his Grandma, the pigment of her skin being inconsequential to their relationship.

language plays a part

“I start speaking in Spanish when I want to tell a secret.”

One student (a girl) wants to know: “¿Que? ¿Que? Translation?”

Another one (a boy) lets it go.  “I just walk away.”

That could be the gender dynamic. The boys were described as “a pack,” “they just get each other.”  “There’s no drama.” “They just let things go.”

…and then there is the future

“What happens when you go to college?”

This conversation was brief, but the immediate responses seemed to project a future environment similar to the one they’re in now. What these kids value is the intimacy of their 600-student high school, where everybody knows each other and the Principal knows everyone’s name.

Popularity: 1% [?]

Vernal Equinox

Full Moon Stories

On the night before Equinox I met The Milkman, a non-brown person appearing strange in rural Central America, now sharing lessons with me from Zen Buddhism.  Senor Leche shared a specially strategic communicative move with me from his years of arduous spiritual training, emphasizing:

“They hit you with a stick until you get the nose insertion technique correct.”

I was impressed by how long he could hold the pose. “Practice,” he encouraged me. “Years of practice.”

The Rihanna thing?

The Rihanna thing is a quick reference to an earlier conversation about Beyonce and Alicia Keys.

When I first came upon Beyonce, [in that There-and-Then context], I was figuring myself out as a woman. She was girl/woman/sexy/curvy but still a side character. Then I came across Alicia Keys, who is seductive and very strong.

Her songs are about love and loss…

Alicia gives nothing of herself away.

Alicia is the actor in her videos and the guys are decoration.

Make your move.

Word, word… twice in a lifetime.

“Alright.
I have
lyrics.” [study]

So says Talib Kweli
performing with
Jane Doe, Wordsworth, Punchline, and Mos Def of
Black Star.

Hi-Tek is the guy who
provides the
music in the back.”
[acknowledgement]

Popularity: 1% [?]

Midterm Video Projects for”Media and Culture” (COM121)
submitted to Michael Wesch’s Digital Ethnography Project:
Visions of Students Today (2011)

Themes:

“It is appallingly obvious that our technology has exceeded our humanity.”

Six students use this famous quote by Albert Einstein, comparing their experience of today’s technology glut with nuclear disaster.” Why are they so afraid? Einstein is an interesting source of wisdom, especially combined with Kimdelehanty’s quote from another scientist, Carl Sagan:

“We live in a society

exquisitely dependent on science and technology, in which

hardly anyone knows anything about

science and technology.”

What was the setting and context of Sagan’s quote? “Hardly anyone” implies a ratio – who are the people included in “everyone”? Whose society is encompassed by “we”?

MrChadb0urne argues that Change Isn’t All Bad: “Technology’s not that bad, if you use it in moderation.” In a soothing voice, he offers this advice: “If it’s too much, take a break. No one’s gonna judge you for it. If they are gonna judge you for it, they’re too involved in technology and they need to calm down.” BrittRoo agrees, offering individual, meditative-type solutions: Balance. Slow down. See. Breathe.  AlPal13 suggests immersion,  “First step… drown out the rest of the world [with music].”  Hannah Cohen asks, “…if you can’t beat them, join them?”

“We no longer search for the news, the news finds us.” Demifo14 hints at narrowcasting and plays with identity as a reflection. Her mirror imagery is partly explained by wbectler3: “Like all structures, [technologies] have been developed by humans and, subsequently, both enable and limit human action” (wbectler3 quoting from the course text).

“Better hope you’re not alone,” sings Jack Johnson-Hope to beccasiminoko’s lament for fifth grade. tashk013 poses the question about choice given the unrelenting advertising bombardment, and kalf917 brings in Karl Marx: “The production of too many useless things results in too many useless people.” But what if it is up to us? “We become what we behold, we shape our tools, and then our tools shape us,” jakehoffman4 quotes Marshall McLuhan. Ktrychon questions and celebrates simultaneously, arguing “You Get What You Give,”and  “Let’s Stay Connected,” while claiming: “We live in a society that lacks passion.” (Where does passion live?)

Does cdanoff’s being “Caught Up In The Media” automatically preclude passion? Or is it only education that fails to inspire? “My teacher was having trouble figuring out the projector in class…but then finally figured it out.” It is unclear what csilv117 thinks about that struggle. Two students picked the same song by Citizen Cope, “Let The Drummer Kick,” to emphasize the war for consciousness. Two students (jakehoffman4 & mamciedupie503) also picked the same quote by Marshall McLuhan: “All media exist to invest our lives with artificial perceptions and arbitrary values.”

Artificial and Arbitrary?

How do you spend your time?” asks ddavies315, while hdanfort wonders “What were they thinking?” Both questions are posed literally, but can be extended to apply in wider fashion. Jamar points to rescue from hip hop artists Kid Cudi and Common, and gets a call out from the premier digital ethnographer and creator of the Visions of Students Today video documentation project, Dr Michael Wesch. Dr Wesch also commented on tashk03 and Ktrychon’s videos (previously linked). Air23JordanXXIII, please feel free to tell Ryan, no sweat – I got a spot for him in my next class, you bet. “Ducks!

Who remembers the course prompt and our transmedia storytelling model? sbaez1440 pulled out a quote from The Matrix that omits a physical sense: “If real is what you can feel, smell, taste and see then ‘real’ is simply electrical signals interpreted by your brain.” Why might this be of interest?

The most challenging task as we move toward the two final projects will be deciding what articulations to emphasize (ideologically) and how much experimentation to conduct. What could we gain, for instance, by exploring the nationalism of natefoy’s “God Bless America” screenshot with Carlos123Mencia’s dormroom poster of Malcolm X?” Does it come down to a decision about whether or not we believe, as Hunte46 asks, if we can defeat the machine? Is competition the only frame possible? Is “the real danger … not that computers will begin to think like men, but that men will begin to think like computers.” – Harris (quoted by smorlando3). Will we see/perceive differently enough if, as ckmetz suggests, we take the red pill? Sgershlak tells us we must adapt to succeed, but what adaptations are a) necessary, b) realistic, and c) ultimately functional? When simultaneity is the rule of the day, as when Csi describes seeing all three phases of water, “the vapor, the rain, and the ice” at the same time, how do you decide what truly guards you?

In the comments to follow, students will be responding with observations and identifications with various juxtapositions and articulations presented or hinted at in the preceding teacher’s analytical sampling. They’ll be working with the patterns and outliers evident in this collection of our class’s Visions of Students Today to produce two final videos.

Scenes:

Spaces (transportation):

  • hallways (also stairs, elevator, doors)
  • roads
  • walking versus driving, skateboarding
  • outdoor shots of campus, esp library
  • indoor shots of library, dining hall, dorm rooms, classrooms (large lecture halls, smaller classrooms), dorm entrance (security), gymnasium, campus center, kitchens, Collegian staff office
  • computer monitors, cell phones, television/videogame controllers
  • music

Time (temporal dimension – where identities are made):

  • statistics
  • activities: FaceBook, UMail, Spark, Spire, Tumblr, Twitter, UMassWiki, Google, news, iTunes (and other music apps), basketball (viewing and playing), XBoxLive, classwork, eating, texting…

Content Themes

  • control
  • time
  • the Matrix
  • pros/cons of technology (some exaggerated claims & stereotypes)
  • dread/hope (”key” – from Hymes’ rubric for analyzing an interpersonal situation communication situation; what equivalent analytic for video?)

Popularity: 31% [?]

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