Steph: We’re going to call this “Mid-Century Modern?”
Steph: Okay. That’s what they’re called.
Lindsey: I like this one too.
Lindsey: It’s a little more like… It has brick, it has some more privacy.
Steph: Yeah, I like that the height of the exterior is tall enough.
Lindsey: Yeah, I like that.
Steph: But you still have all those windows. This is my question, who is going to wash those windows?
Lindsey: I don’t know.
Lindsey: [laughter] I don’t know babe.
Steph: Besides the fact that you gave up money.
Lindsey: This is a Craftsmen that somebody’s calling a mid-century modern home, but it’s a Craftsman home. I don’t know why they’re calling that a mid-century modern. I like craftsman homes.
Steph: You don’t like it?
Lindsey: I do like Craftsman, but I lived in a Craftsman. I don’t have a lot of experience inside mid-century modern homes.
Lindsey: On the interior.
Lindsey: I have a couple.
Lindsey: I know I like the light. I know I also want some room definition, which is contrary to the whole trend of totally open floor plans.
Lindsey: I would like a room that you close the door to that has a piano in it, for example, and that it’s not open, and if you want a computer on, it’s not in the same space.
Steph: It’s not interference, yeah.
Lindsey: To me that’s important.
Steph: You need a music room.
Lindsey: A separate space. I did live in a Craftsman, and it was all open. The floor plan on the first level was just-
Steph: Uh-huh, all the way around.
Lindsey: It had a middle.
Steph: I guess that’s like the house I grew up in.
Steph: It went all the way around.
Lindsey: The house I grew up in-
Steph: Which was kind of cool.
Lindsey: The house I grew up in was that, but all of them had doors.
Steph: Because one way through was the bathroom and it was kind of like a secret.
Lindsey: Oh, that’s fun.
Lindsey: Between a room was a bathroom?
Steph: It was under the stairs…
Lindsey: The bathroom was under the stairs?
Steph: The stairs went upstairs and downstairs and then the bathroom, a single seat toilet, was tucked there.
Lindsey: Oh, it was under the stairs. That’s cute.
Steph: Yeah. People could use that without going upstairs. You had a guest bedroom or bathroom.
Lindsey: That’s cute. I like that.
Steph: It was cute, but then we could run around the entire… But normally we didn’t. Normally, we just navigated the house in a “C,” from the kitchen to the dining room to the living room to the front entry and stairs.
Lindsey: Kitchen to the dining room to the living room to the stairs.
Lindsey: But over here is a bathroom? Wait, but what’s the…
Steph: Between the stairs and the kitchen…
Lindsey: …is the bathroom. You could walk through it?
Steph: You could walk through it, but we didn’t usually, because it was the bathroom.
Lindsey: That’s cool!
Steph: Every now and then we were…
Lindsey: What year was the house built? Do you know?
Steph: Rich and Dad would know. I don’t know.
Lindsey: Hmm. Cool.
Steph: My brother would know. Wait a minute, because the reason that we’re having this conversation is because we discovered that your album is designed in the mid-century modern style.
Lindsey: There’s privacy things they have going on there. Do you see that?
Steph: Does that mean we’re not supposed to have this conversation on the podcast?
Lindsey: Oh, no, no, no. I was looking… How did they get… There are not a lot of areas with the amount of privacy that would allow for as many windows as I think are beautiful in a mid-century modern house for me to feel comfortable having them open all the time.
Lindsey: I just noticed that they did a little technique here where… Because curtains are not mid-century modern. Curtains don’t fit the aesthetic.
Lindsey: This is a slat kind of thing.
Lindsey: That functions as a curtain, but still lets the light in. Okay. You were talking about the album.
Steph: That’s how we got here, because we were talking about the conversation between the text on your album-
Lindsey: And the pictures.
Steph: The text, and the font, and the style of that.
Steph: And the style of the photographs.
Lindsey: Right. The photos are 1970, and I said to the person who ultimately designed the text that I wanted the text to be more modern-looking. I guess by modern I meant clean lines, which to me is like a mid-century modern home.
Steph: Right, so that’s how you closed the gap.
Lindsey: That why I said it’s like the equivalent in album text…
Steph: Then we started looking-
Lindsey: …to a mid century modern home.
Steph: Right. The example of the album cover that you’re talking about was, did you say, John Lennon’s cover?
Lindsey: No, George Harrison.
Steph: George Harrison.
Lindsey: His text is very clean, and I like the very clean text. I forget the name of that album, but it was George Harrison with a line and all of the text is very thin. The album cover was a sepia tone with a picture of him that had been faded. It wasn’t live color, but the whole album cover evoked that kind of sparseness, but in particular the text. I like what I arrived… I’m not going to say her name, because she doesn’t necessarily know if she wants to be in this.
Steph: Yeah, yeah, yeah.
Lindsey: I like what she arrived at with the text.
Steph: Yeah, yeah, yeah.
Lindsey: It’s modern but it isn’t that.
Steph: Right. Right. Then we got to this conversation, because you sent it to somebody to do the layout without any instruction whatsoever, and she matched the text-
Lindsey: To the pictures.
Steph: To the pictures and put it in that kind of time.
Lindsey: It was seventies.
Steph: It was okay. The point is that you didn’t want your message to be “This is all about the 70s”. What you’re saying is, “I started with the music of the 70s.”
Steph: “That’s where I started. That’s what you see first.”
Steph: Then you have to think about what is happening between the words, the text on the album, and the photos on the album.
Steph: And then how do all three relate to what’s happening in your lyrics?
Lindsey: There you go.
Steph: Yeah. Like that. Is that the house you liked best?
Lindsey: Well, I don’t know. It’s all relative. I don’t know. It’s a little boring, honestly.
Steph: It’s all relative.
Lindsey: Too much glass.
Steph: What were we saying before about the title?
Lindsey: [crosstalk 00:06:47] I like the wood like that. What, the title?
Steph: The title of the album.
Lindsey: Right? Yeah. You were saying something about how it reveals…it’s just the outline, so people have to fill in?
Steph: Right, right.
Lindsey: …the content of Anthem?
Lindsey: Or that they’re participating in the making of Anthem? There’s space there.
Lindsey: This is interesting, because this is a very densely populated area, obviously. Neighbor, neighbor.
Lindsey: I’m assuming they have not a lot of windows on each side of this home, and just on the back is where they’re getting their light.
Lindsey: And they did a good job. I liked that.
Steph: Which means they live there.
Lindsey: I know. I was going to say, “I don’t know if I want that, but I like how that looks on that window.”
Steph: All right.
Lindsey: I don’t know. I just like looking at houses.
Steph: This is seven minutes. We could go a little bit longer. Is there anything else you want to say about the album release, which is happening…?
Lindsey: I hope to have it in hand August 12th.
Steph: Right, and then the second house concert is going to be…?
Lindsey: August 18th.
Steph: August 18th.
Lindsey: Here’s the classic.
Steph: And then there’s another.
Lindsey: September. [background sound — a squeeze-toy horn] Oh, there’s the timer.
Steph: Oh, kale chips. Okay. Okay. We’ve got a plan. Anthem.