history: February 2006 Archives

friends discuss "the cartoons"

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When I learned of these cartoons (via two headline stories in the NYTimes a week ago), I inquired of a journalist friend. I then summarized our conversation to another friend via email:

"We agreed that provocative humor is important but ought (?) to be wielded with an eye toward some 'higher' goal rather than the mere incitement of xenophobia. My pal also talked about the editorial responsibility of making the decision to publish. In the current political context, there needs to be complete assurance that no one's job is going to be sacrificed to appease the predictable public outcry. In other words, the decision to publish carries a lot of ethical weight. It must be clean and clear enough to be justifiable and withstand criticism."

She responded:

"I agree on your point about editorial accountability/responsibility, in the muhammad cartoon debate. I also find it very interesting to think about how the issue has been conceptualized in terms of minority/majority cultural conflict; however, who constitutes the threatened minority (muslims in denmark or danes in the world?) and who constitutes the majority in power (danes in denmark or muslims in the world) changes continously, depending on whose perspective is assumed."

Meanwhile, I received an inflammatory anti-Muslim email from another friend, which I passed on to my journalist buddy with the comment:

"I became friends with this woman, a Jew, who impressed the hell out of me on every level.... our friendship has cooled some since I learned of her rabid views but I'm intrigued.... how can such contradictions be possible in one otherwise kind and wise?"

The response was both sharp and insightful:

"Yup, and then there's that. How easy it is to be asking "But why aren't they rising up?" of downtrodden people, uneducated and unemployed, whose lives have, for generations, been mired in helplessness, forced and ideological submission to clever thugs... cosntantly searching for something spiritually meaningful (if material welfare is not to be had at any costs)."

I had all this in mind when I was reading the comments posted in two British web-forums last night (excerpted in Dr Suess and WAR). Toward the end of a long, detailed, markedly "rational" discussion, someone blames the media for making it such a circus. Of course, the participants neglect to notice how their own comments inflame and enliven the very tensions they bemoan.

Dr. Seuss vs WAR

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Who knew? Dr. Seuss was overtly political? I know there are metaphors for social relations in his popular children's books but not that he also sketched editorial cartoons. Cool. I wonder if he'd take a pro/con side in the Mohammed cartoon bisaster? Here's some disturbing anti-Muslim discussion on the Sheffield Forum and a bloglink to The Daily Ablution's roundup of UK news coverage from Feb 3rd, which includes some streaming video.

A friend recently lauded Robert Fisk but not so Scott Burgess, who takes Fisk to task.


arab history through fiction

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Yasser sends this New Left Review article about his father, Abd al-Rahman Munif, explaining "It's almost an accurate account of Munif's work and political views." This leaves one to wonder where it is off! But for a generally naive american like myself, it looks like quite an impressive corpus demonstrating a good deal of personal courage.

Mr. Munif died a year ago.

The author of this piece, Sabry Hafez, makes many laudatory claims: they convince me I ought to read at least some of these works. For instance, "Ard al-Sawad is by far the best Arabic novel on Iraq."

"Here and Now is a hospital in Prague where ex-political prisoners are sent by their parties for treatment, to seek a cure for their bodies and souls. The hospital, however, is no isolated cosmos, but a locus of contending forces in which external political powers are also at work."

Munif is most famous for Sharq al-Mutawassit, East of the Mediterranean, "whose public impact was deep and immediate."

A close second for fame might be the quintet, Cities of Salt, which Hafez describes as "construct[ing] a fictional universe of remarkable imaginative coherence that is a passionate cry against what Munif once called the trilogy of evils afflicting the Arab world—rentier oil, political Islam and police dictatorship—and a profound call for justice and freedom."

"A World without Maps offers a fresco of a huge city that has descended into obscurity and chaos."

"Endings remains one of the most advanced fictions in contemporary Arab literature."

"Hin Tarakna al-Jisr (When We Abandoned the Bridge, 1976), already showed his restlessness and capacity for formal reinvention."

It was Trent Lott

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making the comment about Strom Thurmond that became the historical moment of blogs challenging traditional journalism. I found a blog reference with the offending quote from December 2002.

I also found a story citing a study of blogger's role in Lott's resignation as the US Senate Majority Leader. "The report does not portray the blogs as lead actor, but as intelligent reactor to an event of neglect (similar to an act of omission) within professional newsrooms, where the story of Lott’s remarks languished and nearly died. The case study is largely about herd thinking in the press, and the illusion that “news” jumps out at everyone simultaneously."

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