phenomenology: April 2008 Archives

"This is the year..."

| | Comments (0)





Imagine the Angels of Bread





Change is always resisted. At the cellular level patterns of survival screech to continue unaltered. It is we, the thinking aggregate of living cells composed into consciousnesses with conscience who must impose a break with violence and the talk that spurs it on.

and then there's pain

| | Comments (0)

Not new information -

"Pain as an Art Form"



- but the images are striking and several links to amazing work are provided. I guess I never blogged about Frida Kahlo when I listened to the biography three or four years ago. Her spirit was incredible. (The jokes I make while my sadomaschistic physical therapist works out the knots in my IT bands are pathetic by comparison.)

samplings from Facebook

| | Comments (0)

My smart friends are posting wicked cool stuff:

Flaws of Gravity, a review by Christopher Hitchens of a new biography of Isaac Newton.

and

Critical Art on Trial, about a group of tactical media practitioners doing digital disobedience (among other fusions of art, pedagogy, radical political action). Their activist work includes an installation that "encourage[s] citizens to make informed decisions about the biological and chemical substances which have become such a part of everyday life." They've gotten into some trouble for this, leaving them (and us) to wonder "precisely what kinds of communities—real or virtual—we will be able to make" - ever.

In the review cited above, Hitchens quotes Sir Leslie Stephen, who "claimed genius was 'the capacity for taking trouble.'" Taking, you notice, not necessarily (or only) making. Intriguing.

Relating to a lively discussion (currently in a bit of hiatus) via email with some friends, Hitchens also writes this:

the day is not far off when we will be able to contemplate physics as another department—perhaps the most dynamic department—of the humanities. I would never have believed this when I first despairingly tried to lap the water of Cambridge, but that was before Carl Sagan and Lawrence Krauss and Steven Weinberg and Stephen Hawking fused language and science (and humor) and clambered up to stand, as Newton himself once phrased it, “on the shoulders of giants.”

a planet in peril

| | Comments (0)

Barack Obama said this last night, as others have said before and with increasing urgency as the scientific evidence becomes stronger, more clear and convincing.

But can we change the ways we talk? Can we alter the tropes of political discourse? He is trying, valiantly.

Whether he wins or loses the nomination, the consciousness accompanying his talk - that which has appealed to millions of voters across the U.S. and millions (?) more across the globe is the real prize.

Australians indicate overwhelmingly that the environment is the burning issue of our times. Al Gore has been saying this for some time, among many many others (including nearly everyone I know in the sciences at UMass). The economy matters, but the environment is the lowest common denominator. We've got to wrap our minds around the interrelationship between self/other & self/situation: the determinative frame being between us (people) and our context (the planet). Vectors of history propel us along paths set in motion from ambition, greed, dreams, and visions. Which of these lead to convergence (as in a mathematical series) and which to divergence are not transparent but certain measurements and predictions become increasingly possible.

As an optimist, I do not believe we are on an inevitable path to absolute (unavoidable) convergence, but the attentiveness with which we anticipate consequences to our choices is due for a radical upgrade.


I asked students in the Group Dynamics course to engage with the title of John Robison's book, look me in the eye, in order to investigate the meanings associated with eye contact and then consciously link that range of meanings to the notion of indirect interaction. The few students who tackled this challenge in full show how communicating across differences is quite a challenging task. Buckets34 discerned no link but trusted one must exist (to which I'd say, "no, not unless we make it!") Freshkicks6 wrote:

In class when we commented on Steph writing sideways, she responded with, “Maybe I’m a sideways type of person.” In our culture it is expected (and we have all learned from a similar frame) that when you write, you try to write straight, horizontal, left to right. The fact that she didn’t do this, stood out and allowed us even to poke fun at her about it. Writing straight, left to right, is a cultural norm, just like looking someone in the eyes is when having a conversation. Often times, because someone does something out of ordinary, we like to comment on it and point it out. The author of “Look Me in the Eyes” talks about this often because people either make fun, or just don’t acknowledge his “sideways” behavior, so he never learns to act “normal.”

Several students comment on how the title provides a frame, which Thumpasorus suggests is a kind of proof that people actually think differently:

"Each person’s thought process brought him or her to a different conclusion about the meaning behind the title. After reading the title I thought “[Robinson] meant it figuratively. That is, he meant to say, examine me closely . . . as I read I found there was a double meaning.” I can now see that other people have thought processes different than mine, which can bring them to conclusions equally as valid. Robinson’s thought process certainly functions differently than many of us. This was expressed especially well in his explanation of his smile at the news of a death of a stranger. As we have been slowly been learning since the beginning of the semester, Steph too has a thought process somewhat foreign to many of ours. This was quite clear when she started “writing sideways” in an attempt to express herself graphically, leaving us with confused, amused expressions"

Arturo, a colleague from Business Strategy & Organizational Theory (School of Management), describes the juxtaposition of John's and my thought processes thus:

I just finished reading your exchange with John Robison. I have to say that it is very interesting at so many levels: from structure and style to goals and understandings. It is like observing a dance where the rhythm is a 2 by 4 where one of you follows the 2-tempo while the other goes for the 4-tempo. Both of you are dancing to the same tune yet an external observer can see the differences in “beat”. On one hand you are articulate and constantly link concepts left-to-right. You use your own voice to bring in your student's ideas and expectations and frame them in the context of his appearance in the class. Yet during all this process you do not forget your own role as mediator/referee of this engagement. On the other hand he goes linear, ignores the social innuendos. He focuses on personal goals yet he makes a noticeable effort to address your issues as they link to his ultimate goal: awareness on the autistic condition. Nevertheless when all this is happening he is still a curious mind. He seeks to grasp where are you coming from in your interpretation of his world / words as you do not conform to any standard that his linear thoughts would have foreseen (he is a linear thinker while you are a sideways traveler). So far it looks like he has partially moved from seeking/perceiving you as a means to his goal (awareness of autism) to exploring/understanding you as a means for understanding himself. He used your “eyes” to see himself from the outside at a group communication level.

Certainly I can identify with these statements: I perceive similarities in the way John and I approach the world as out-of-the-norm (noted by Fresh and Thump), and I am aware of the differences articulated by Arturo: can a strictly linear thinker and a sideways traveler form enough of a bond to co-construct a common goal? A longer exposition of this question is posted in my teaching blog as I urge students to consider deeply: Audience: to imagine or ignore?

Pages

Powered by Movable Type 4.1