June 2007 Archives

Lecture Seven (Interpersonal Communication)

The basic tension described in Zediker and Stewart’s piece, Dialogue’s Basic Tension, is based on the work of Martin Buber. Buber describes the ideal interpersonal balance as “experiencing the otherness of the Other” while also “holding your ground.”


Keeping this dialogic tension in mind, I will expand more on the social construction of meaning, because in observing and responding to several of the Team planning processes so far it appears to me that this idea has not taken root. In fact, I am wondering how thoroughly you have understood the assigned readings? I know some of you have read (and understood) well, others among you may have read but been selective in what you chose to learn, and of course some of you may not have read at all. This is not unusual. However, in a Team project, there is a balance that must be struck between those who know the form of a presentation and those who comprehend the content. (Ideally, everyone knows both very well but such is rarely the case.) Many of the questions I received during the planning process had to do with form – obviously this is important as a guideline, but I am not interested in the reproduction of one model. What I want to know is, have you learned to conceive of interpersonal communication as a continuous, fluid, complex process of on-going meaning-making and re-making? Irregardless of which particular topic you have, you will ultimately be evaluated on your ability to demonstrate your grasp of this general theory on the basis of the quality of your application. In other words, can you use this new (social construction) model or are you still thinking/acting/talking in the channeled grooves of the old (transmission) model?


Leann (4.2, in the Logistics thread) said: “The loops i see in this conversion is that everyone agreed that there is a different between online communication and face to face interaction.” A social-construction-of-meaning analysis of this statement would examine how the repetition of saying the two modes are “different” actually makes the differences matter more than any similarities. I wonder why it is important for members of the class to focus on the differences? What function is served by negative comparison? What does emphasizing the difference “do” for us?

Another way to think of this, is to imagine to what would change if we spoke constantly about the similarities between online and face-to-face interpersonal communication?

This next section is a little risky because it may come across as direct criticism. On the one hand, to be fair, it is – I am “showing you” the language of what you said in order to expose (hopefully) the pattern “behind” it: the “loop” which I am trying to get us (as individual members of the class and as a group) to notice is how our basic conceptualization of where meaning comes from, or how it is made, sets a kind of limit on what it is even possible for us to mention, let alone what things (topics, issues, concerns, problems, joys, successes, revelations, etc) about which we can actually talk (technically, dialogue).


When we discussed meaning back in Unit 3, several members of class still wrote in transmission model terms. I’m including the quotes without names because the point is not who said it, the point is how “commonsense” these statements appear on the surface, and how difficult it is to challenge the deep assumptions of communication being a simple matter of taking a pre-established “meaning” (yours) from one “place” (you) to another “place” (me) and have “this meaning” be “understood” exactly as intended. I am starting with the examples of thinking that show the old model first because I guess this makes the most sense logically. Next are examples of thinking (use of language) that shows the new model: when you read these two lists, think hard about why I have categorized them in this way? What is that makes (in my teacher’s mind) the first set of statements indicative of the transmission model and the second set of statements indicative of the social constructionist model? After the two lists, I show how many of you are vacillating between the two, sometimes writing in a way that shows the “new” understanding and sometimes in ways that shows the “old” understanding. Please understand, at this point in time there is no penalty for wherever your understanding falls (at the end of the course there will be an actual test to see if you’ve “got” the distinction or not. More on that later.)



Transmission model type of thinking:


- “Meaning is defined as what is meant; what is intended to be significant or understood; a sense of importance.”


- “…meaningfullness can come from virtually anywhere. Something that is full of meaning to someone could be meaningless to the next guy.”


- “Our emotions create meaning, and as emotions vary from individual, thus meaning varies from individual.”


- “Meaning comes from how you interpret something…”

- “Meaning comes from culture, gender, working environment.”

- “If James hadn't established herself as a person who's life has been affected by these stereotypes by telling the reader the story of her two families, then her article would lose its intended meaning.”

- “Something that is meaningful to me might not be meaningful to you and vice versa.”

-“It's all up to you on how much meaning you place on a certain object or situation.”

The next set of examples is smaller. :-) This is ok (if this was easy then you would already know it and there would be nothing to learn!) Again, think about what is being said in these statements that indicates to me an understanding of the

Social Construction model of communication:

* “Meaning is in between being work and being inherent.”

* “We do not make meaning happen by ourselves.”

* “My interpretation and perceptions have changed with my surroundings.”

* “Communication, as I conceive it, is a word that describes the process of creating a meaning" (quoting Stewart).

There and Back Again!

Dawn, totally on track, writes, “Beginning from pages 22 of the text book, Stewart talks about different factors that contribute to “the world of meaning that we inhabit”. When talking about meaning, Stewart said, “It’s continuous because humans are always making meaning-figuring out, making sense of, or interpreting what’s happening”. I agree with this 100%.” But then, she reverts right back to the transmission model way of conceptualizing communication: “It is hard to define where meaningfulness comes from exactly because it varies from person to person.” Now, why do I say this? What do I “read” that is different in the “idea behind” the first quote from Dawn, and the “idea behind” the second quote from Dawn? And how happy was I to read, later in the same post, that “the exchanges of messages itself is “the building blocks” that create meanings.”

These juxtaposed sentences demonstrate exactly how challenging any process of learning is and – most important from my vantage point as a teacher – I think this kind of mixing is common: both in the sense that everyone goes through a kind of “in-between” stage between an “old” way of thinking and a “new” way of thinking, and common in that most members of this class are also struggling through this transition.

Kerry’s example of the teacher who used her position of authority to deliver a personal (prejudicial and stereotypical) attack is useful, I think, as a point of comparison with the way I am using my position of authority. If nothing else, her performance as a teacher shows the evidence of how damaging racism can be even when it is “only” as a legacy (passed on through the generations, just like Navita Cummings James’ family stories, without James' power of critical self-reflection). Kerry’s teacher was wounded so deeply she could not (at least at that time) find any other way to teach about the lingering costs of slavery and genocide (both the residue of institutionalized racism) except to cast blame. Kerry’s analysis of the situation shows an attempt to balance the mix of responses – the knowledge that racism was (and is) awful, the emotional pulls among guilt, resistance, belief in the perpetuation of prejudice, stereotypes, and discrimination through both well-intentioned and overly-aggressive attempts to confront these realities, and a bit of ironic humor about that teacher’s heavy-handedness.

That teacher used the power/status of her position to impose a message that she wanted to deliver. Can any of you articulate what it is that am I trying to ‘deliver’ to you?


Going to the Sunwheel turned out well. The sky was fussy all day: raining some, staying cloudy, clearing temporarily, then turning back to grey. When the sun broke through, right in the middle of an astronomy graduate student's lecture, the rays literally beamed down upon us, setting off fantastic contrast in the fluttering green leaves and freshly mown grasses. Who could possibly complain about that double rainbow, either?

Ok ok, sure, I know it wasn't just for me,

LucasLooks.JPG.jpg

:-) but come on, you've gotta admit the whole event was rather spectacular!

I learned a few new things, particularly about the Lunar Cycle (which has been - and continues - at it's own "lunar standstill" for over a year) and that the Astronomy Department has been able to place two more stones that mark the stars Aldebaran and Sirius (what do you know about the sothic rising?) The last one was approximately 400 years ago, and the next one will be around 3050. I think the implication is that stars do move, but not at a rate which we measly, short-lived human beings can observe.)

Did Will (the presenter) say Aldebaran is the "eye" of the Constellation Taurus? Meanwhile, George just had to tease me about being "into this solstice thing." Yeah! And what of it?! I think patterns matter. The trick question is, which ones? :-) I found this interesting blogpost (by an Iranian? Chinese? Who knows?!) when I was looking for a playful astrology link: not because I give astrologers the same reliability as astronomers (heaven forbid!), but I think the fact of other knowledges based on different frames of reference is something we (humanity, I'm thinking big) have got to do a better job of understanding.

Anyway, I am looking forward to Koushik

KoushikSTOP.JPG.jpg

keeping his end of the deal and providing more impromptu physics lessons. I have a clearer understanding of "frame of reference" now than I ever had before. (Things are different from the inside of an accelerating system than from the outside of it.) Tail asks (and I am still muddling through the explanations of the twin paradox): "WHY does movement make one's time flow slower?

Is the biology answer different than the physics answer? Because everyone except the rock star waited a long time for Maya-Mediterranean Chocolate Rice Pudding from The New Taste of Chocolate: A Cultural & Natural History of Cacao. I picked up the book at the , which Ila took me to in December of 2005.

Ruth's hummus and spinach dips got us started along with a special (surprise!) quiche (all to rave reviews) and then it was all Better Homes and Gardens, thus invoking Katelyn and her family in memory. :-) Her sister Giovanna inscribed my first cookbook, "use in good health." We most certainly did! The spinach and garbanzo bean salad was the most popularly requested item for takehome, the chutney-fruit rice salad was described as "a hit." The sesame asparagus was pretty quickly gobbled up, and the creamed peas and new potatoes were also devoured. There was (by the way) enough food and we did not start before everyone was here!

The evening was perfect except for a few moments of amateur cook/host stress (how much help can one person handle at the exact same time?!) but (fortunately, since I really needed it) folks figured out how to manage me. :-/ (And they didn't even know that my mom used to put my college friends "in charge of the kitchen" instead of me!)


"The Tension of Dialogue”
~ "Lecture" Six ~

One of the readings on dialogue is from a book with the subtitle referencing “a center, not sides” ( ). One of the loops in our class is a tension between the expectation of this course running like other college courses and the way it is actually unfolding “in real life.” Dawn named the extreme of the usual way when she said she would “rather read from the book and respond.” This kind of desire is cultivated by the experiences we have all had, as students, with the typical format of a college class. This is an example of what Pearce calls the episodic nature of a communication event. Interacting in a classroom has a general structure that we have all learned over years and years of schooling. We come to expect this structure, to be comfortable and familiar with what we are typically asked to do, and therefore may become frustrated or challenged when changes require adjustments in our behavior. Carla expressed this perfectly: “I had expected to be at ease with the interaction required for this class. Such a title led me to believe that my thoughts would come easily to me in regards to the matters of which we speak. After all, I've been communicating interpersonally since the conception of my being.” We all have! And each of us does have expertise within common frames of reference.

When things do not unwind in the particular process we anticipate, then we might make sense (meaning!) of the discrepancy in the ways expressed by Natalie and Aaron: suddenly we perceive “vague” open-endedness that “lacks clarity” and direction. In fact, these are responses to the absence of some usual markers that guide us in the performance of routine behaviors. My argument is that contemporary communication theory tells us that those habits generate “normal” meanings – rehearsed, usual, routine, expected . . . while these meanings can be a necessary comfort at times, such patterns can also be deadening, dull, even boring: less alive. It seems to me that the value of interpersonal communication is that it provides the possibility for experiencing our own beingness-in-the-world in special ways. I hope this class is teaching you to appreciate this potential and even improve your skills in being the kind of person you want.

What has been happening in our classroom is that I am deliberately messing with the usual ways of educational talking in order to help us all perceive how our expectations produce and recreate “meaning”. Once we truly understand this, we can begin to let go of the linear transmission model that Stewart and Logan critique on page 19. I bring that particular example up because Kerry and Aaron both misunderstood (it seems) the goal of Stewart and Logan in showing you the myth of that linear diagram with its assumption of a permanent, fixed, pure meaning that can simply be moved from one person to another.

One of the features of academic structure is to establish the teacher as “knower” and students as “learners” who need to be guided from what they (you) supposedly “don’t know” into a pre-established, unquestionable KNOWLEDGE. However, the most basic, foundational concept of contemporary communication theory is that there is no such thing as a 100% sure, guaranteed truth without exception. As we have been studying, this is particularly true in terms of interpersonal communication because of the fluidity and flexibility of language and the reality (!) of the co-construction of meaning.

This is not to say that there is no place in the middle where we meet and understand each other – only that any such place is an achievement of collaboration occurring continuously and constantly with many, many complicated variables always at play. So, when Tristram asks, “Did I miss something?” (when I asked about the “stuck place” I thought we might be in as a class), it is up to all of us to decide

a) whether there was “something” to be missed (or nothing at all) and

b) if there was “something”, what was it? The teacher’s vague impression? Was I mis-listening? Did I invent a problem where one did not exist? Did I identify a phenomenon but give it a certain slant by labeling it “stuckness” when a different label might have been less confusing or more accurate from your point-of-view?

:-)

So far, what have we learned about the co-construction of meaning in/through communication? Erin quotes Stewart & Logan on representation: “words are symbols that represent an existing object. Confusion arises with words describing abstract things.” Confusion can also arise when words describe concrete things, because if I tell you about a chair (using a colleague's oft-repeated classic example from Aristotle), how do I know that the “chair” you have in your mind is the same “chair” I have in mine? I do not, unless I explain it or – better yet – provide you with a picture! You and I might both understand “chairness”, but that does not guarantee identical representations. Brett is on top of the implications of this variation when he challenges Stewart’s identification of “four distances that create limitations and boundaries for meaning. I think,” says Brett, “[that] there is too much differentiation to create those limitations for meaning in regards to how close or far away you talk to someone.” We – human beings – use generalizations to create categories that help us sort our perceptions and experiences, but these very generalizations LIMIT the KINDS of categories we can create unless and until we recognize that our minds – the very specific ways in which we think! – have been shaped (one could say channeled in particular ways simply because of the exposure we have had through linguistic representations of so-called “meaning.”

Again, Dawn gives us a classic example of a predominant American mode of communicating: I “just want to speak my thoughts,” she says, showing both a particular understanding of conversation (loose, unstructured, without a disciplined focus) and also a preference for expression (what our text calls “exhaling”) moreso than listening (“inhaling”). Once we understand that there is no inherent meaningfulness in what we say (or write), then we begin to understand the power of language, and the range of uses it can be put – from the beautiful to the ugly – in interpersonal communication.

Brett’s evocative title in Unit 4, “a spoonful weighs a ton”, suggests the complexity of our endeavor here. I imagine that everyone is feeling the tension of our engagement in some way? Tristram, insightfully recognizes that “the agreements and disagreements [among classmembers to date] do in fact show a pattern because we as a class are just bouncing around on each others ideas where the information at hand therefore becomes rather limited. Even the ideas in our heads are pulled from previous bits learned so are we truly able to introduce original open minded discussion or is everything here part of some pattern in communication?” My job, as the teacher, is to try and channel or otherwise guide this “bouncing” into a tighter focus; meanwhile, each of you is being drawn to the topics that are of most immediate relevance to you: these may or may not be what I think are the most important in terms of the overall subject. These diversities lead me to try and tack back-and-forth between “where you are” and “where I am”. In other words, what is meaningful about this course is somewhat different for everyone!

My job is to try and generate opportunities for practicing a way of thinking that may go against common experience and certainly invites change. As Erin said after reading Virginia Satir’s comments about the use of the word, “I”: “Should I feel selfish for using that word? Now I'm going to think about it more, but haven't before.” Now, maybe Erin will say “I” more or less or at different times than she used to – that kind of change is not my goal. But for her to be aware that it matters if/when/to whom she says “I” – now that is the kind of change that signifies actual learning. Kerry provides another example: “[A]fter reading these articles, and a few pages of the other ones in the chapter, i started realizing that i make so much body movment, and use so much body language when i communicate and i never really noticed. i feel as though it is just a natural me. like thats who i am, and when i talk to people, do i talk to them differently? i never took that into account.”

Learning, by definition, means changing. The changes are in perception and awareness, which affects one’s range of choices. Heather noticed a pattern beyond the simple selection of a common topic for the midterm presentations:

“All these people had "voted" the same way for there [sic] favorite textbook topics but that the way they spoke about the subject was similar. A lot of people mention that they chose this topic because it is something that they struggle with and would like to improve on.” The loop here is deeper than the commonality of topic. What is fascinating from a contemporary communication point-of-view is that the choice is made on the basis of perceived personal values of struggle and improvement. This is the morality of making educational choices.

Alex’s deep loop (even though he was arguing against there being a pattern!) is “if someone does not think what u think is right then they disagree and if they do think that what you say is right then they agree.” Geez, if that is how we communicate, how are differences ever going to be resolved?

Again, my pedagogy and my own ethos concerning the value of education (why I am a teacher) is that I think we need to learn how to navigate when “the rules” are not predictable, when “the meanings” we take for granted are not the same as other people’s “meanings.” Heather is right on target with what’s happening (on purpose!) here in this class: no security! “At this point I have finally got down what it is that the professor is looking for in the posts. I know to incorporate what other people are saying, interpret the reading, and add my own thoughts. None of this is anything I have a problem with. However, now these small group projects show up again and I am completely lost.”

What if when we are “lost” is when we have the best chance to make new, different, better meanings?

from Jesus Evil Kachina

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SUMMER SOLTICE


THE MOON OF JUNE IS HERE,
SUMMER CEREMONIES ARE STARTING, CORN POLLEN IS BEING GATHERED AND SOCIALIZING IS ONCE AGAIN PART OF OUR LIVES.


HONORING PRAYER


THE EARTH IS OUR MOTHER HONOR AND CARE FOR HER.
HONOR ALL CREATION.
OPEN YOUR HEART AND SOUL TO THOUGHT WOMAN.
ALL CREATION IS SACRED; TREAT IT WITH RESPECT.
TAKE FROM THE EARTH WHAT IS NEEDED TO SURVIVE,
NOTHING MORE.
GIVE THANKS TO THOUGHT WOMAN FOR EACH NEW DAY.
SPEAK THE TRUTH; NEVER GOSSIP.
FOLLOW THE RHYTHMS OF THE NATURAL WORLD,
NOT THOSE WE HAVE CREATED.
WALK LIFE’S JOURNEY WITH JOY, BUT LEAVE NO TRACKS.
WALK ALWAYS WITH PEACE, WITH BEAUTY
AND WITH BALANCE.


FIND JOY AND HAPPINESS IN THIS SUMMER SEASON
AND ENJOY YOUR SUMMER!


Enough Already!

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As a teacher myself, I loved interpreting another professor today.

Professor: "Since class began, I have received over 100 emails and have answered almost every single one individually. You have told me about your personal life - going to weddings, car breakdowns, your commute time, how many hours that you work, that you have to get up too early in the morning, how late you go to bed. I know so much about you."

"Let me tell you a little about myself." (At which point my team interpreter looked me in the eye and signed OMG, "Oh my god", and I thought, "Yep, here we go!")

The professor continued: "I work sixty-five hours a week on payroll: time counted by the clock. I commute fourteen hours a week. I work another sixteen hours a week grading homework, this is not on the clock. I get up at five a.m.; I go to bed at one in the morning."

He did not say, "Stop whining!" but really, after that, was it necessary? :-)

Life is demanding. Education asks much.

Many students go through the motions - to get a job, to earn the credit, for a grade - but how many really want to learn?

These are the ones who keep us teaching. :-)

(I am thrilled to have several motivated learners in my intensive summer session online course, yippee!)

My students are the best :-)

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Just look at the great material they are generating!

The “logic of meaning and action” (Pearce)
~ Lecture Four on "Nexting" ~

The “logical force” created by what one says at a given time in a particular situation is “the summation of the felt obligation to act,” as defined by Barnett Pearce (p. ??). It is this logical force that leads the editor of our textbook, John Stewart, to claim, “The most useful single communication skill is ‘nexting’” (p. 33). To “next” is to speak with conscious awareness that what one says will entail a range of possible responses. Morality is of course invoked, this is the “felt obligation” that a person feels to respond in a particular (limited) way: one can go along with the moral values implied in an utterance, resist the values in an utterance, attempt to sidestep or ignore the values in an utterance, or otherwise try to invoke a different moral obligation. From the philosophical (social scientific) stance of social constructionism, there is nothing that anyone can say that does not have moral value.

For instance, if you ask me the time, you imply that time matters. If I answer directly, “12:05,” I participate in the construction of a moral meaning that time is valuable. My answer conveys agreement that knowing the time is morally right. By answering, I also participate in the construction of a moral meaning that questions deserve answers. If I do not answer the question about time, I must provide an excuse or explanation. (Imagine the judgments made against me if I simply ignore the question altogether!) An excuse still implies agreement with the value that time is important, that I ought to be able to tell you what time it is (because I should know it myself), or I might explain why I resist an overvaluation of time, either substituting a different meaningfulness (such as, what we are doing now is most important) or minimizing the power of the clock or the importance of being timely.


In other words, no utterance is said (or typed) in isolation, and because it is inevitably and unavoidably linked with other things people have said (historically as “tradition” or recently in context), there is a “logic of meaning and action” that helps us coordinate our talking with each other. To get the full sense of a definition for “the logic of meaning and action,” it is worth quoting Pearce in full:

“We avoid social vertigo by orienting to particular events, objects, and relations in our social worlds as if they were real. We construct working definitions of the situation that include a sense of who we are (our identities…), our relationships…, the event in which we are participating…, and the meaning of what is being said and done…

“The question What do I do now? reminds us that from the first-person perspective, conversations have to be made by doing something in a temporal context after someone has done something and before they do something else. From the perspective of the conversant, these doings are not a free choice; they are enmeshed in a logic of meaning and action that makes some actions mandatory, optional, or prohibited” (emphasis in original, p. ??).

You will have to let me know if the teaching strategy (the pedagogy of experiential learning) is effective or not (!), because rather than tell you what to learn, I am trying to teach you how to look. The skill of perception (as so many of you have already noted) is crucial to communication processes working out in the coordinated ways. Already, I hope that from the emphasis on “listening”, you are already making connections between the quote from Pearce and this actual class: how have you avoided “social vertigo” here? What is “the event” of this – our – interaction? What “objects” are you orienting to? Which relationships? What is the “working definition” of what we are doing here? Which – of all of your multiple identities – are present and operational? (…and what does it mean that some of your/our identities may not be present, or at least may not be recognized?)

Given all of this, which I summarize as the social construction of our learning environment, how does your participation contribute to our collaboration? What have you offered us in-and-through your writing? Are you focused on exhaling or have you begun to consider what the rest of us might be inhaling from you? The skill of nexting is simply the balancing of these two inextricably intertwined elements of the communication process. Some of you are starting to recognize this and reflect upon it in our communication with each other; I have listed some examples from Thread 3.1.

The basic interrelationship of “exhaling” and “inhaling” was noted by Kerry reading the section on relationships, who states, “how could this not come into play after i read it.” Indeed, we are affected by everything we are exposed to, and we have only minimal control, as Brett noted, “…a lot of communication and meaningfulness is out of our hands.” We cannot rigidly control our exposure to information – what we "inhale"; and we certainly cannot control – in any kind of ultimate sense - how others will respond to what we "exhale". This characteristic, of communication being always and forever open, continuous, and collaborative, carries across mediums. David B says, ““I used to believe online communication was a lot easier since no one knew who I was or heard me the instant I said something. Instead I find myself in the opposite position thinking ‘well no one really knows me... but that also means [now] nobody KNOWS ME’ which leaves me wondering how I should come off.”

Is it possible that no one ever “really knows me”, and that who I am is always and forever being constructed through the ways I communicate myself through “inhaling” and “exhaling” with others? Suppose I am not always clear? (Gosh – imagine I am just a flawed human being doing my best?!) Ajia offers that if ideas come out jumbled “…it becomes apparent to who is really listening. If someone was listening they can use some of my ideas for their next comment.” Tristram adds, “I have tried to post something to spark new ideas rather then post something that did not make it possible for other students to react to.”

Meanwhile, Kerry also noticed and found it interesting “…how they [everyone’s posts] all kinda loop one another: one thinks one agrees, another thinks that person disagrees.” What processes of perception might be at play for some people only to notice agreement, and others to notice only disagreement? Are the perceived agreements about the same or different topics than the perceived disagreements? These “loopings”, to adopt Kerry’s term, are what I would label patterns. What do these loops tell us about how we are making meaning together?

Defining Communication

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Defining Communication
~ Lecture Three ~

Good luck! :-)


Remember that we are exclusively focused on interpersonal communication and the use of language. The definition provided in the textbook appears cumbersome, but it does encompass both the complexity and meaningfulness that this course aims to explore:


“Communication is the continuous, complex, collaborative process of
verbal and non-verbal meaning-making through which
we construct the worlds of meaning we inhabit.”
(John Stewart, p. 22.)

The reading assignment takes you through each component of this definition and describes five implications. Instead of summarizing the text for you, I will supplement it by sharing some excerpts from another book I’m reading, The Scientists by John Gribbin (2002). This book is a history of what is often called “hard science” in contrast with the “soft sciences” that have to do with people and social relations. It might be interesting to have a discussion about the meanings of “hard” and “soft” in the context of science, but for the moment my goal is to show how the principles of the scientific method are not separate nor exempt from the above definition of communication.

For instance, Gribbin asserts that the only truth science can give us is mathematical. Concerning the “move on from the classical science of Newton (dealing, broadly speaking, with things you can see and touch) to the ideas of the twentieth century (dealing, in some sense, with things that cannot be seen or touched), Gribbin tells us, “Models are important, and helpful; but they are not the truth; in so far as there is scientific truth, it resides in the equations” (431). The so-called “soft sciences” also deal with the intangible: with relationships and dynamics rife with patterns, rituals, and rhythms. In fact, the microscope we will turn on language use is a technology that scientists discovered long ago: “…although it is quite right to say that light behaves like a wave in many circumstances (particularly when traveling from A to B), under other circumstances it behaves like a stream of tiny particles, just as Newton thought. We cannot say that light is a wave or is corpuscular; only that under certain circumstances it is like a wave or like a particle” (italics in original, 430). This may seem like a distinction of little account, however in the world of hard science, like versus is means the difference between painstaking precision and grotesque overgeneralization.

The soft sciences, and communication in particular, are no less attentive to fine detail. We are always concerned with the circumstances and conditions of the subject of study. Social scientists scrutinize our objects of study as cautiously and deliberately as any hard scientist. The label of “hard” or “soft” applies to the percentage of predictability each science generates: the soft sciences always have more variables and less controls in our objects of study than the hard sciences. The question arises as to the value placed on prediction as a skill or tool. Again, the purpose of this class is not to resolve such a debate, rather, it is to explore the way that we talk the value of prediction into being, literally, into existence: “the construction of [a] world of meaning.”

Constructing the Syllabus
~ “Lecture” Two ~

Interpersonal communication is a dense and complicated area of human behavior. The assigned text provides many topics and a range of approaches for study. Different teachers will frame the subject in their own unique way, prioritizing elements, models, and concepts based on intellectual beliefs and pedagogical values. Such framing is accomplished primarily through the syllabus. Syllabi function to establish a timeline for planning and a sequence of topics for the production of knowledge.

Intellectually, I believe there are many kinds of knowledge and that people know things in diverse ways. The way we come to knowledge is through communication: broadly defined as our exposure to all mediums – including nature (plants, animals, the weather) and human institutions such as family, church, school – as well as the media per se, television, radio, movies, videogames, music, the internet, etc. The gamut of input is vast. Some kind of management is necessary to order our amazing capacities of perception into sensible distinctions among the important and less so, the unusual and normal, the routine and the extraordinary. The tool that accomplishes mental and emotional organization for human beings is language.

How we speak, what we say and do not say, when we choose to maintain silence or to participate, to whom we speak and with whom we do not, are all actions (or behaviors) with the potential for meaning. I emphasize “potential” because – contrary to common sense – I do not believe that meaning is fixed. This intellectual view is known as social constructionism. Words, of course, have dictionary definitions, and yet . . . most words (in English, the language we use for this course) have more than one meaning, or have nuanced variations that depend upon the context. Sometimes words even mean the opposite of their dictionary definition because they are uttered ironically!

There are several pedagogical implications associated with the intellectual belief in social construction. Pedagogy is a fancy term for how one teaches: specifically, what are the values and philosophy a teacher brings to the process of education; and, how are these intangible attitudes applied in the actual practice of teaching? My bedrock value is that education is always a two-way street. I learn from and with you just as you learn with and from your peers and I. We learn together. (We make meaning together.) This essential philosophy guides me to experiential learning. I aim to design courses in such a way that we experience the subject matter, noticing and reflecting upon our own “ways” and becoming more conscious of how we coordinate our own ways with the ways of others.

The subject matter of interpersonal communication offers an unparalleled opportunity to explore the juncture among language, social construction, and experiential learning. The online format presents certain challenges – for instance, we will not be able to explore our own nonverbal communication with each other (but we can observe in our daily lives, describe these observations, and discuss our thinking about them). At the same time, the class is small enough that we can engage productively – unlike large lectures at the University where one professor, Vernon Cronen, often includes on his syllabus: “Interpersonal Communication – without any.” We will have plenty. :-)

Online teaching began Monday, as did interpreting for Physics 101. Ha! (I'm in heaven.) :-)

The physics definition of dynamics is "the effect that forces have on motion."

I have been wrangling some "force" onto my students use of the online discussion technology (an asynchronous "bulletin board" type of software). Of course I am curious what "motions" will be effected by my language-based exertions. In which "direction" will the students move? Compliance? Competition? Resistance? OH the JOYS of HUMAN INTERACTION!

The first "lecture" was made available to them yesterday morning. I'm going to post them here, too, to see what (if anything) gets sparked in and/or out of the class.

Introduction and Immersion

~ “Lecture” One ~

What is “interpersonal communication”? Can we communicate, interpersonally, through written text coded into bits of electronic data and spirited across cyberspace? Is writing to each other, and reading each other’s words, substantially different than speaking and listening to one another? If you are deaf: is it different to watch someone signing than it is to read letters on a computer screen? How much does it matter to type on a keyboard instead of moving your face and hands in order to tell someone what you think?

The study of any subject requires establishing a boundary that distinguishes and sets the subject apart from other subjects. The terms of the label can be broken down into three components:

1) inter-
2) personal
3) communication.

Which of these three words (or parts of a word) seems most important? Does one or the other establish the focus for thinking and learning?

As I consider how to teach a course on interpersonal communication in an online environment where I will probably never meet any of you, nor any of you each other, I have to question my usual style. Normally, I teach this course based on the assumption that the most effective learning comes through personal application. Effective learning, in my mind, is when students realize that the concepts we study are not just abstract terms “out there.” Instead, the vocabulary, theories, philosophies, similarities, and differences that we will explore in this course are descriptive categories that describe our own behaviors. Once we have a sense of how our own interpersonal communication functions, this provides a base to comprehend on a deep level the ways in which other people use interpersonal communication differently than ourselves: sometimes to accomplish goals or values that are not the same as ours, sometimes to accomplish the same tasks that we want but through alternative strategies.

Differences of interpersonal communication can be attributed to a range of factors, including culture, gender, the environment, life stage, personal or situational elements outside of the immediate communicative event, even levels of linguistic fluency. I, myself, am not convinced that written communication is necessarily “less” or even substantially “different” than what can be accomplished in a face-to-face interaction, however I do think communicating via the written word requires a particular set of skills, including literacy, imagination, focus, and fluency. I separate “literacy” and “fluency” because if one is going to be effective communicating via text, one must read carefully for the meaning of the writer (literacy), and one must deliberately consider your choice of words and phrasing (diction) to minimize confusion for readers (fluency).

We will devote serious attention to the concept of “meaning” – which is not as transparent as we (Americans, especially) are taught to think. First, though, I want to distinguish “interpersonal” communication from mass communication, and notice the ways in which what we are doing here in this online class is more like small group communication (which has elements of both interpersonal and mass communication).

The most basic factor distinguishing mass and interpersonal communication is audience. Is quantity the clearest difference? Interpersonal is between persons, discrete individuals; whereas mass communication is directed to a large audience, including – obviously – more than one person who are obscured or blended in some way (usually via a medium, such as television, radio, the movies) into an indistinguishable mass. A second important factor defining mass communication from interpersonal communication is the presence or absence of anonymity. Interpersonal communication can be more “public” in the sense that you “show” yourself to another human being, you become known and mis/understood in a direct relationship. Mass communication, although witnessed by many, can – paradoxically – be more “private” in the sense that audience responses may not be revealed (and producers of mass media often work in teams, or behind the mask of a pseudonym or persona).

What we have in this class is a group of a few dozen people, who are

a) anonymous in the sense that we won’t meet in personal physical space (unless someone coordinates an extracurricular event),
b) communicating directly with a teacher and peers,
c) while witnessing and being witnessed in these interactions by each other, and
d) potentially engaged by each other in surprising and unpredictable as well as standard and typical ways.


What kind of a conversation will we build together?

Time Capsule

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That's right, on a couple of counts. Rich said this listening to Chaka Khan last night at the 2007 Gay Pride Festival at the Liberty Memorial Park in Kansas City last night.

[fyi, you cannot reach the official website from KCI airport: "http://www.kansascitygaypride.org/ has been categorized as Pornography. It has been blocked per your organization's Internet Usage Policy for group Public."]

We were utterly surrounded by twenty thousand or more totally normal (!) queers directly under the Big Dipper on an absolutely perfect night. Rich commented that it is “rare to see the stars from downtown.”

The playbill was perfect too, with one top hit following after another. Rich and Kelly competed to "name that tune" and hit the timing of the chorus just right. :-) There were MANY people who knew these tunes, when the mic was turned out to the audience you could easily hear us bellowing along.

Since we knew we were gonna be out late, we lazed through the entire day. Yeah, a rough life, tell me about it! En route to the big show, we stopped off at a particular nephew's sixteenth birthday party, where I told Zoe she is a purty cat and Lynn accepted graciously.

Eight of the thirteen teenagers present played XBox (and lost) to a team of six from The Netherlands. When we returned after the concert they were playing a version of hide-and-seek involving base camp (safety) at the trampoline. We were thankful no one called the cops on the rowdies.


Museum Day

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Museum Day

Rich and I took in the abstract art at the Kemper Museum of Contemporary Art.

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We were severely underdressed, as it was Opening Night for Phantasmania and the Members showed up in full fashion force. We only got in trouble twice although we garnered several disapproving (or at least puzzled) looks. We only had iced tea and diet coke in the Café (our waiter was psyched for massive tips, although he did recover after the initial obvious disappointment). The above photo I took in the Special Exhibit Hall (no pictures allowed of the art, I complied! Still, I was chastised. Oy.) Our favorite was Dan Attoe: Accretion 38 (This has been coming…) (one selected comment apparently by an owl, “a bunch of shit nobody cares about”), and Accretion 34 (Be at peace with what you’ve done), with a line that sparked a chuckle from Rich: “Hank Williams died on New Year’s Eve.” Attoe's work is described as “oil on canvas on paper” but those are just the physical materials and does no justice to the juxtaposition of visual images and (tiny) text.

Robyn O’Neil’s graphite on paper sketches were also interesting, Being Together, Standing Below This Eternal Covenant, (both pictured at Matthews The Younger's blog and Their Fear Blurred and They Were Still. It was fun to move from her monochromatic perspective to “Blind Faith and Tunnel Vision” by Jules de Balincourt (pictured at Your Daily Awesome). His “Insiders and Outsiders” (scroll down) is probably the most transparent of the art we saw but powerful nonetheless: one cannot miss the potential implications of current historical trajectories.

Pictures are allowed in the permanent collections, so I snapped several. I very much liked the painted wood by Louise Nevelson; it was cool to then see a portrait of her by Dan Budnik (couldn’t eliminate reflections, bummer). The colors and chaos of Rising Sun (Hans Hoffman) caught me,

rising Sun.jpg

and the birds in this oil on canvas work by Joseph Stella drew me past the soft pastel first impression: Dance of Spring (Song of Birds).

It looks as if *I* captured Roy Lichenstein at work,

is it real.jpg


but really this is another portrait by Budnik. I almost always like color, such as James Pollen’s 13 Bands (fused silk with painted other stuff - the camera failed :-/).


13 Bands.jpg


All of the selections from the permanent collection were chosen by museum patrons “Putting the U back in Curator.” Lei Ilima is not my taste at first glance but the circle drew me closer. I’m not sure this piece by John Buck “suits my temperament” but I can imagine its appeal could grow over time. All three selections from Seven Poses by Hung Liu are pleasing.

The Kemper was the second museum of the day. First?


Jazz is . . . life.


Jazz Museum entrance.jpg

The introductory film is fantastic, featuring just about everybody who was anybody, with several clips of original performances and classic interviews. The first phrase that caught me was from (I think) a member of Shirley Horn’s band, talking about performing jazz meaning you are on stage “nerve naked.” Rich had me listen to several of his favorites, including John Coltrane (Alabama), a tribute to the four African-American children killed in a church bombing in 1963. Its tempo is based on a speech by Martin Luther King, Jr. (I wish they told us which speech...an article in The Southern Review by Sasha Feinstein reports that it was the "eulogy for the girls)." The biographical text described Trane's ambition “to use his music as ‘a force for good.’” Rich described Coltrane as the “#1 innovater for the saxophone,” and Miles Davis (we listened to So What) as number one innovator “for the trumpet.” (Listen - and watch! - Davis perform this with John Coltrane courtesy of youtube.) We also heard Water for Debby by Bill Evans, who wrote some scores for the Charlie Brown specials (but not as many as Vince "Doctor Funk" Guaraldi). :-) A particularly neat moment was listening to Jimmy Smith (The Champ), and Rich being reminded of Don Lewis. Gosh, I still miss that guy! Many fond memories. :-)

Jazz is . . . art.

Frank Marshall Davis described the accomplishments of Louis Armstrong as “distilling the meaning of black in sharps and flats.”

Did I mention that bro can play? :-)

bro can play.jpg

Dollar Brand (Abdullah Ibrahim) says, about jazz: “. . . I prefer to regard (rhythm) as that force that keeps the whole universe together.”

Here's bro jamming to Pat Metheny, The Road To You.

Jazz is . . . love.

Rich explained some of the history of the 18th and Vine District. All WWI soldiers came through Kansas City to get their uniforms. (I had no idea the garment industry was huge here, through WWII about half the soldiers still came through KC for their uniforms.) Live music poured out of this District, and the alignment of 18th Street is such that the midsummer sun (July-August) sets dead center at 9 or 10 pm, just as the place would really start hopping. A few years ago, Kansas City hosted a cow-painting event. 18th and Bovine is a beaut!

painted cow.jpg


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